Earlier today, @randomhouse tweeted a link to Flavorwire’s The 20 Most Iconic Book Covers Ever. All of the books listed were classics, which I guess makes sense, but I didn’t think many of them deserved to be “most iconic book covers.” The article quoted someone who said, “the days of the iconic jacket illustration [...] are nearly gone,” and said that “advertising is ruining our lives” because book covers these days just aren’t as captivating. I have to disagree, because in my search for new authors, book covers play a huge role; if it’s intriguing, I’ll grab it off the shelf and read the first couple of pages. If those first few pages are intriguing, I’ll buy it or rent it at the library.
Many of the books I’ve read in the last ten years had some pretty awesome covers. Here are, in no particular order, five books published in the new millennium that I think have iconic covers. (Click on the images for the full size view.)
A Disobedient Girl, by Ru Freeman, is a story of love, courage, and family in the face of tragedy after tragedy. The book is made up of two seemingly unrelated stories. The first, set in the future and written in the past tense, is about two young girls. One is rich and the other is her household servant, who tries again and again to rise above the circumstances she was thrown into but can’t remember how. The second story, set in the past and written in present tense, is about a mother who tries to remove her children from the home of her abusive husband.
It’s a beautiful story, and I think the jacket captures it completely: the sari that the woman in the photo is wearing represents the ones the mother and rich girl have and treasure and that the servant girl admires from afar; the soap represents the first luxury that the servant girl ever gives to herself; the rain represents the love story between the mother and her lover; the bangles represent the status that the mother and rich girl have and the bangles the servant girl later makes for herself to create her own status; and the model herself represents the strong beauty of Sri Lankan women.
Beat, by Stephen Jay Schwartz, is about a cop who investigates sex trafficking while dealing with his own sex addiction. (Read my full review to learn more about this kickass sequel.) I found this at the library and was pulled in by the art on the spine, but the cover itself is also intriguing. The book takes place in San Francisco, even though the main character is actually a Los Angeles cop, putting him completely out of his element. The jacket features an image of the Golden Gate Bridge, a cityscape — probably San Francisco — in the background, and infrared light from a couple different angles. I also really liked the large, bold font of the title; I have a slight obsession with big font leftover from my days as a web designer. What I liked most about this cover, though, are the normally bright colors that just look dark, setting the tone of a corrupt city and also representing the neon lights of the sex shops.
The Knopf edition of Stieg Larsson’s The Girl with the Dragon Tattoo, The Girl Who Played with Fire, and The Girl Who Kicked the Hornet’s Nest all have kickass covers, but I think my favorite of the three is the third, a metallic silver that somehow fits perfectly with the millennium theme of the trilogy. However, since the first novel’s cover was the first we saw, and drew me into the book, I’m going to focus on that one instead. The Girl with the Dragon Tattoo, also known as Men Who Hate Women in the Swedish translation, is about a journalist who, after finding his reputation in ruins, is hired to solve an old mystery. While trying to solve the mystery and reclaim his status as a creditable writer, he is found by Lisbeth Salander, a slightly sociopathic hacker who simultaneously turns his life upside down and reignites the fire inside of him. (There’s a lot more to the story, so check out my review and then pick it up.)
I love the cover because it’s just as in-your-face as Lisbeth is, yet captures her spunk and the exciting tone of the novel. It also uses a kickass big and bold font that isn’t perfectly aligned, something that seems to parallel the theme in the novel that life isn’t perfect.
The above scan of the third novel’s jacket might be shitty, but it does capture the shine of the metallic paper. You really have to see it in person to get the full effect, though. It’s definitely my favorite jacket of the three. It echos the same basic concept of the other two covers, but has an almost digital, millennial look to it.
The Dark Tower VII: The Dark Tower is the final installment in Stephen King’s Dark Tower series. After a long journey, Roland and his group of the world’s last gunslingers are closer than ever to reaching the Dark Tower and saving all of our worlds from collapsing in on themselves… and the truth of Roland’s life and journey. The cover art is by Michael Whelan, who did most of the illustrations throughout the entire series. It shows that not all art has to be digital in this age; Michael Whelan uses oil and acrylic paint. I think Whelan captured Roland’s character perfectly. He beautifully incorporated the Can’-Ka No Rey — field of red roses — and the tower itself, with a blazing red sunset as the backdrop. It has an old Western feel to it, but the futuristic font hints that the story isn’t set all that long ago at all. I love Michael Whelan’s art so much that if I could, I’d buy reprints of all his Dark Tower art (especially this one); it’s pretty expensive.
I wish I could say that Whelan is doing the art for the new Dark Tower novel, The Wind Through the Keyhole, but the powers that be have decided that DT comic book artist Jae Lee will be illustrating it. Don’t get me wrong; Lee is a talented artist, but he doesn’t capture the tone of the story the way that Whelan does.
I didn’t want to read Dean Koontz’s Odd Thomas at first, because as much as I hate to admit it, it sounded dumb. My mom practically forced me, though, and the cover definitely looked intriguing. I quickly fell in love with the novel and with Odd himself though, and the cover has always been stuck in my head along with the story.
Odd’s name is pretty fitting. He is the most normal person you would ever meet, and might even be boring by most people’s standards. He’s a short order cook, lives a simple life, and has a steady girlfriend. He also hangs out with Elvis Presley — the real, dead as a door nail Elvis. When Odd starts meeting other ghosts who silently insist that the end of the world is coming, he is the only one to stop it, but the price for the world’s safety is quite high. The cover doesn’t allude to all of this, but it does suggest an evanescent world that is beyond the grasp of most people. It’s black and white design suggests the simplicity of Odd’s regular life, as well as the presence of good and evil in the story. The other Odd Thomas books have cool covers, but none of them even come close to this one.
Now, I don’t think these are the most iconic book covers of the millennium, but they are definitely the ones that jumped to my mind. Which “new” book covers do you think are most iconic? Leave a comment and link to an image if you can so we can discuss!
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Images Credit:
- A Disobedient Girl – rufreeman.com
- Beat – stephenjayschwartz.com
- The Girl with the Dragon Tattoo – barnesandnoble.com
- The Girl Who Kicked the Hornet’s Nest – freakingbookworm.com
- The Dark Tower – stephenking.com
- Odd Thomas – deankoontz.com
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